In the Museum of lost objects

February 20, 2018

You’ll find labels describing what is gone:
an empress’s bones, a stolen painting

of a man in a feathered helmet
holding a flag-draped spear.

A vellum gospel, hidden somewhere long ago
forgotten, would have sat on that pedestal;

this glass cabinet could have kept the first
salts carried back from the Levant.

To help us comprehend the magnitude
of absence, huge rooms

lie empty of their wonders—the Colossus,
Babylon’s Hanging Gardens and

in this gallery, empty shelves enough to hold
all the scrolls of Alexandria.

My love, I’ve petitioned the curator
who has acquired an empty chest

representing all the poems you will
now never write. It will be kept with others

in the poet’s gallery. Next door,
a vacant room echoes with the spill

of jewels buried by a pirate who died
before disclosing their whereabouts.

I hope you don’t mind, but I have kept
a few of your pieces

for my private collection. I think
you know the ones I mean.

Rebecca Lindenberg

something appalling

February 20, 2018

Once I was Dora Suarez, but even before I die I am not her any more; I have just become something appalling. Looking at myself naked in the mirror, I see that I have lost the right to call myself a person; what’s left of me is barely human…I accept that at thirty I am going to die.

Derek Raymond
I was Dora Suarez

escapist…?

February 20, 2018

Folk legend, fairytale, myth are thought of as escapist, but in reality they’re not – they’re distilled metaphor and truth.

Alan Garner
Interview in BBC TV programme “Sleuths, Spies & Sorcerers

destroy it first…?

February 20, 2018

A witch is, actually, a successful (in the sense of surviving) deviant. You have a cultural, ideological, social, what-not pattern which is, for that society in question, normal (and, importantly, this is understood as a synonym for natural). Most people survive because they conform to these patterns, because they behave normally. …But then suddenly you get a deviant which survives, and since it does not draw its support from the normal pattern…that deviant is understood as drawing its support from “unknown,” “supernatural” sources…If we cannot survive without our order, how can she [the witch] survive in solitude? Hers must be indeed a very powerful order to exist so independently, without all the inter cooperation and individual compromise which we have to go through to survive. And if it is so powerful, then it could destroy us. We must try to destroy it first.

Maya Deren
Notebook of Maya Deren”, October 1947