located elsewhere

February 9, 2019

What if the place that we are in the midst of is different from the physical space that we currently inhabit? What if the things we yearn for are located elsewhere, in another place or in a remembered past, and all we now carry within us is an image of this place. We may remember only elements or impressions of it: there may be certain objects, smells, a smile or expression, particular acts or occasions, a word, all of which come out in a manner that we cannot control or understand. Yet any of these elements or impressions makes us feel ‘‘at home’’ in a way that we cannot find in the physical space where we are now stuck. This is the problem of exile, of being displaced and yet capable of remembering the particularity of place: it is the state of being dislocated yet able to discern what it is that locates us. We have a great yearning, but we cannot fulfil it with anything but memory.

Peter King
Memory and Exile: Time and Place in Tarkovsky’s Mirror

Magic & Poetry

February 1, 2019

Because dreams do have something to do with magic, and I believe in magic as the main source of poetry. We create entire worlds in our dreams – full of people we’ve never seen, places we’ve never been to – that seem to echo and reverberate with worlds and memories that we’ve never experienced.

Orson Welles
This is Orson Welles

God?

January 27, 2019

Lady Claire: How do you know you’re God?

Jack Gurney: Simple. When I pray to Him, I find I am talking to myself.

Peter Barnes
The Ruling Class

Carry her poems away

January 15, 2019

…history suggests that the human spirit wanders farthest in the silent hours between midnight and dawn. Those dark fruitful hours, seldom recorded, whose secret flowerings breed peace and war, loves and hates, the crowning or uncrowning of heads.

Joan Lindsay
Picnic at Hanging Rock

didn’t like lamps

October 20, 2018

Dostoyevsky read by the light of two candles. He didn’t like lamps. He smoked a lot while he worked and occasionally drank strong tea. He led a monotonous life, starting off in Staraya Russya (the prototype of the town where Karamazov lived). His favourite colour — the waves of the sea. He often dresses his heroines in that colour.

Andrei Tarkovsky
Diaries translated by Kitty Hunter-Blair

walking in the stream

But why do so many of us, as female artists, have to go to war to tell our stories when we have so much to offer? Why do we have to fight tooth and nail to maintain our dignity? I think it is because we, as women, have been devalued artistically to an indecent state, to the point where the film industry stopped making an effort to find out what female audiences wanted to see and what stories we wanted to tell.

According to a recent study, between 2007 and 2016, only 4 percent of directors were female and 80 percent of those got the chance to make only one film. In 2016, another study found, only 27 percent of words spoken in the biggest movies were spoken by women. And people wonder why you didn’t hear our voices sooner. I think the statistics are self-explanatory — our voices are not welcome.

Until there is equality in our industry, with men and women having the same value in every aspect of it, our community will continue to be a fertile ground for predators.

Salma Hayek
Harvey Weinstein is my monster too

real or not real

June 12, 2018

I have a problem when people say something’s real or not real, or normal or abnormal. The meaning of those words for me is very personal and subjective. I’ve always been confused and never had a clearcut understanding of the meaning of those kinds of words.

Timothy Walter (Tim) Burton
Burton on Burton

remember pain

April 7, 2018

But who can remember pain, once it’s over? All that remains of it is a shadow, not in the mind even, in the flesh. Pain marks you, but too deep to see. Out of sight, out of mind.

Margaret Atwood
The Handmaid’s Tale