Egon Schiele - Standing Girl in Blue Dress

A mode of understanding life which wilfully ignores so much can do so only at the peril of thoroughly distorting the rest. A mode of understanding literature which can ignore the private lives of half the human race is not “incomplete”; it is distorted through and through. Feminist criticism of the early 1970s began by pointing out the simplest of these distortions, that is, that the female characters of even our greatest realistic “classics” by male writers are often not individualized portraits of possible women, but creations of fear and desire.

Joanna Russ
How to suppress Women’s Writing