The pleasure of the text is that moment when my body pursues its own ideas – for my body does not have the same ideas I do.

Roland Barthes
The Pleasure of the Text

Writing a book has something of the snowball-making process about it. You start with a tiny handful of something scrunched up tight in your brain, then you roll it round and it starts to grow. You roll and roll and finally it becomes so big that it takes on a life of its own and starts rolling away from you. That’s when the writing has to begin.

Pauline Fisk
Interview in Steel Thistles 22nd November 2011

Ideas for things come into one’s head, or bits of ideas; you feel there’s something – there’s some meat on the bone, there’s something there that lures you on. The more you think about it the more you’re led into this new world and the more of that world you see. And part of having an idea is having some notion of how you would tell the story. It’s not just thinking it would be nice to write something about the Crimean war, it’s having some particular way in mind of writing something about the Crimean war, and the idea for the way to tell the story helps you to see what the story is. The story suggests the means, the means suggests the story; it’s mutually dependent. And you don’t have very much choice in the matter. Ideas come, characters suggest themselves, and the nature of the story and the nature of the characters dictates how it’s going to be done.

I suppose if people are not writers or painters or whatever they see the life of the artist as being one of great freedom, but it’s not really; it’s as constrained as anyone else’s by the material that’s available. The thing seems to have some kind of reality in one’s head; it seems to be something that one is discovering, rather than inventing. I see that as a kind of psychological trick on oneself, because the whole point about fiction is that it’s invention. It doesn’t really seem like it at the time – it seems as if you are slowly discovering something that already exists and seeing how the different parts of it relate to each other.

Michael Frayn
On writing: authors reveal the secrets of their craft
The Guardian, 26th March 2011

in a strange way

May 21, 2018


Usually the idea for a novel comes to me, in a strange way, from reading rather than from living or observation. It’s often what I can only call an intellectual concern – some sort of large issue I’ve got very interested in. The operation of memory is an obvious one because several novels have been prompted by that. Or again the nature of evidence – that’s another important theme to me. Then the problem is to find the vehicle, to find the story and the characters and the backdrop, because they’re going to be the vehicle for this idea. Because then I don’t want the idea to show very much; I want the idea to be a sort of seven-eighths of the iceberg, a kind of ballast, but without which the whole novel would flounder.

Penelope Lively
On writing: authors reveal the secrets of their craft
The Guardian, 26th March 2011

The hardest part with these memoirs is the effort to be honest – there is too great a divergence between my relatively unstained thinking, ideas and emotions, and my real treason, flight and the squalid, cowardly and ugly things I did to people in moments of panic or rage.

Robin Cook (Derek Raymond)
The Hidden Files



Another early reader….

February 10, 2015

early reader