The Matriarchs’ Charm

August 16, 2017

Take hungry grins full of spittle
place sticky, beating hearts in the middle
and twine with salt and pepper hair
through endless days and nights laid bare
Add pebble, bone, root and feather
then wrap in tales and bind together

Wipe your brow and bow your head
spill blood upon the marriage bed
Now cross yourself – once, twice, thrice
and you become the sacrifice

Mary Bach

This spell is not to be taken lightly. It is to be used when all other protection spells don’t seem to be working and you are afraid for your life or the lives of others. This spell is also for use against other witches that you feel may harm you. This can be cast at any time but if you would like to boost it you can do it during the Dark or New Moon, and on either a Tuesday or Saturday.

You Will Need:
• A picture of the person you are binding.
• A Black Candle
• Frankincense and Myrrh Incense
• Smudge Stick ( Sage or Sweetgrass)
• Dried Rosemary, Lavender, and Clove ( crushed during the ritual)
• Basic White or Black Thread.

Instructions:
Take the image of the person you intend to bind and begin wrapping the thread around it until everything but the persons face/eyes ( depends on if it is potrait or full body image you are using) are covered. Knot the thread in a way that you can dangle the image as if hung. As you are wrapping the thread around the image say these words.

I bind you now by heart and soul.
No harm shall come from one so cold.
Arms pinned down and voice restrained,
I take your ability to cause others pain.
May love fill your hollow empty days.
If not your magick and you shall part ways.

Repeat these words as you dangle the image over the smudge bundle. Let the smoke become its own bindings on the person. Crush the herbs and ready them for burning, imagine and empower them with protection as you crush them. As you put the image over the incense and the smoking herb mixture, imagine the smoke binding and cleansing the person of hate. All the while repeating the words as a chant. Once the smoke is out or you feel it is complete, hold the image over the flame and set it and the thread afire with the words.

Fire purify, fire bind.
Once all is in ash,
No more hate shall they find.

Once it is completely ash mix it with the herb and incense ash. Take the mixture outside and toss it over your left shoulder, or let it go in a river if you have access to running water as such.

Walk away without looking back.

Source here

This is a spell I wrote to use on someone who just can’t seem to say anything nice and always has to get personal. It’s meant to screw with their ability to say harsh insults. You should only use this spell if you can’t avoid this person. It is recommended to cast a sacred circle first. You need:

• a blue (for peace) or grey (to bind) candle
• pen/pencil and paper
• black poppy seeds (to cause confusion)
• salt (to remove negativity)
• dog hair (optional)
• Carve onto the candle the name of the “dog” as well as silencing commands like “hush!” or “be quiet!”

Draw a picture of the person or you can draw a dog. Draw the subject with a muzzle or an X instead of a mouth. Place the candle in a safe holder on top of the picture and sprinkle the seeds, the salt, and the dog hair around the candle in a widdershins (counter-clockwise) circle. Light the candle.

Invoke the God and Goddess, or any particular deity you feel would be most helpful in this situation, tell them about your problem and your desired outcome. Remember, you just want this person to stop saying mean things, nothing more. Chant:

“You snarl, you growl, you start a fight. You bark because you have no bite.
Well, no more barking, night and day. I muzzle you to keep harsh words at bay.”

If you used a blue candle, finish the spell with:

“With this peaceful candle of blue, I take the bark right out of you.”

If you used a grey candle, finish the spell with:

“Flame and grey wax pull binding ties, hush and let sleeping dogs lie.”

Source HERE

Eroticism & Magick

May 20, 2017

Magical power is sexual power. Crowley understood this. Parsons understood this. Bataille understood this. Or to be more accurate, Laylah knew this, Candy knew this, Laure knew this. Witchcraft sometimes seems to have forgotten it, along with the body, a trend that technology continues to exacerbate. For the return to the erotic we need a physical culture that our dancing bodies weave and chorus into life.

Witchcraft is inherently erotic, by which I mean it is a construct of shadow and light. Of historical elements and of our current experience, of truth and lie; as it always has been. Witchcraft is an art of glamours which demands that we explore and harness our full erotic potential and that of others. Witchcraft is neither a glossy magazine, nor a gender studies module, nor a particular aesthetic; though they may be paths towards it they are not to be mistaken for the thing in itself. Modern expressions of witchcraft that appear to value style over substance are better seen as part of a continuum of erotic expression, of the necessary poses demanded in a culture of surfaces. Witchcraft is a practice with attitude, not a practiced attitude. The erotic is witchcraft if it not only attracts power, or the gaze, but if it is able to harness that power for its own ends. We are not here to please, or to be measured in likes.

Though it is often, and somewhat smugly, pointed out that the brain is the most important sexual organ to stimulate, that misses the fact that the brain is a direct evolutionary result of our need to process movement. We are not a series of selfies but bodies in motion. We are not a brain in a control tower whose interaction with the world is only done with our thumbs. The body awaits our rediscovery of it, for ours is a naked art, garbed only in the shadows we artfully cast and the masks that demand to be danced.

Touch marks and transforms us. It is the most eroded of the senses and the most necessary to our psychological health. Touch is a condition of all sentient life, the loss of tactility is death, and as Aristotle observed, thought itself depends upon tactility.

Though we deal with the intangible, touch is something we should be developing in the creation of a series of exercises to extend the range of our senses. It is not surprising that the blindfold is one of the key technologies of both initiation and sexual play. Leading and being led, hunter and hunted are the ways in which we extend our sensitivity across the country of skin.

Alongside the blindfold, the mask must be mentioned in this context, for the way in which it frees the body. In masking we discover hitherto unknown movements and voices, selves that we pull on like long gloves and that articulate potentials which animals have not forgotten. Masks can wear us, as gods often do. The blindfold is of course the dark moon and initiation, the mask, the sabbat at the full.

The erotic is the art of the extension and the anticipation of desire. It triggers a cascade of chemical releases that renew the body. We glow with it. What all the methods of eroticism and ordeal have in common is the body, and the function of the endocrine system. We can exploit this rather than taking it as a given, by training with the exactitude and presence of dancers and martial artists. The edge play of fight or flight, of tonic immobility, of extended arousal are the penumbra through which we are transvected. Our aim is to extend our mastery over the so-called autonomic nervous system, and in doing so, live more deliciously.

The work of witchcraft is best approached if you have a working energy body. The endocrine system in particular needs attention: hypothalamus, pineal, pituitary, thyroid, thymus, adrenals, pancreas and ova/testes. Unless you have an active method to address it, your system is either aggravated or in decline. Unless you are moving every day you are becoming stiffer. The challenge is that most people in our culture, which includes witches, are heavily self-medicating, particularly with alcohol, painkillers, prescribed pharmaceuticals and in a state of chronic inflammation. If this is not rectified then eroticism is impaired, ordeal work becomes blunt trauma wrought on muffled senses.

In tandem with this are the requirements of herb craft to provide the building blocks and support for the experience so that it is not catastrophic. I am not going to give a full herbal, but let me mention damiana, red clover and ginseng as general tonics as well as two of my preferred and less known ones, amachazuru and tongkat ali. If you are not taking Vitamin D and magnesium supplements I urge you to do so. For men I should add zinc, and testosterone support for those over 40, along with lifting heavy weights: these are far more effective than shunning ejaculation in order to stay vital. For women, dong quai, cat’s claw, ashwaganda, catuaba, and of course the master substance: chocolate, theobroma cacoa, food of the gods. And I recommend you consume your chocolate like your witchcraft, as dark, raw and unadulterated as possible!

The quick hit and subsequent body load of sugar and cooked fats, the over reliance on alcohol as a disinhibitor rather than a solvent for medicines, processed denatured food and death by sofa are the hallmarks of a slave society and a slave body. In addition we trash our adrenals with caffeine and crash our immune systems with cigarettes. This toxic approach does have some short term benefits, but it ultimately burns us out. The excess of energy in youth can lead us to self-destructive displays. I am not promoting abstinence, but an extended drunkenness of the senses.

Would it not be better if we were to stretch into ourselves like felines? If witchcraft drank from the cauldron of medicine and health? If we recognised that what we do requires sustained and sustainable energy work? If when we engage in the work of poisons we pay as much attention to recovery? Ask yourself: How powerful is your erotic response? Then ask, how powerful can it become?

Find a physical practice that you love. Make the body your magical weapon of choice for the performance of witchcraft. Keep extending and retracting your power like cat claws. It is a lunar mystery that we work, and it gives us supernatural seeming powers. The erotic is not linear, this genders witchcraft female whatever our biological sex. It teaches us to sustain from the smudged kohl of evening to the rose blush of day. It makes our witchcraft a full body art from the field of flesh through to our secret interiors that the blindfold and mask reveal.

Peter Grey
Forging the body of the Witch
Presentation given at the Occult Conference in London, England, 18th June 2016

witch5

SUNDAY: (ruled by the sun) is the proper day of the week to perform spells and rituals involving banishing evil, exorcism, healing and prosperity. Colours: orange, white, yellow.

MONDAY: (ruled by the moon) is the proper day of the week to perform spells and rituals involving purification, protection, peace, the goddess, female fertility, messages, reconciliation, theft and voyages. Colours: silver, white, grey.

TUESDAY: (ruled by mars) is the proper day of the week to perform spells and rituals involving courage, energy, physical strength, stimulation, banishing negativity, revenge, military honour, courage, surgery and the breaking of negative spells. Colours: red, orange.

WEDNESDAY: (ruled by mercury) is the proper day of the week to perform spells and rituals involving communication, divination, writing, knowledge, wisdom, study and business transactions. Colours: yellow, grey, purple, and all opalescent hues.

THURSDAY: (ruled by Jupiter) is the proper day of the week to perform spells and rituals involving luck, wealth, happiness, health, legal matters, male fertility, healing animals and agriculture. Colours: blue, brown.

FRIDAY: (ruled by Venus) is the proper day of the week to perform spells and rituals involving love, romance, beauty, sex, marriage, friendships and partnerships. Colours: pink.

SATURDAY: (ruled by Saturn) is the proper day of the week to perform spells and rituals involving spirit communication, meditation, psychic attack or defence, locating lost things or missing persons and change. Colours: black, blue, grey, purple. Incense: black poppy seeds, myrrh.

Lunar Phase:

It is also EXTREMLY important that magick spells and rituals be performed during the correct lunar phase. A “rule of thumb” to remember regarding moon phases is if your working is tailored towards receiving or gaining something, perform your spell during a waxing or full moon – if you wish to rid yourself of something, perform your spell during the waning moon – for new beginnings, the new moon phase is best.

* NEW MOON (begins on the day of the new moon to three-and-a-half days after). Use the energy of the new moon for new ventures and new beginnings. Also use the new moon for love spells, job hunting, and healing.

*A WAXING MOON (seven to fourteen days after the new moon) is the proper time to perform positive magick such as love spells, magick for wealth and success, courage, friendship, luck or good health.

*A FULL MOON increases extrasensory perception and is the proper time to perform lunar Goddess invocations, fertility rituals and spells that increase psychic abilities and prophetic dreams. Any spellwork that requires extra energy, such as finding a new job or healing serious conditions, is best begun during the full moon.

*A WANING MOON (three-and-a-half to ten-and-a-half days after the full moon) is the proper time to perform destructive magick, negative incantations, and spells that remove curses, hexes, and jinxes, end bad relationships, reverse love spells, banish negativity, break bad habits, cure addictions and decrease fevers, pains and sickness.

SOURCE

specialize in necromancy

November 14, 2016

a-mirror

Some covens concentrate on attempting to heal the sick, others specialize in necromancy, but the general goal is one of knowledge and power. In further pursuit of the latter, a few groups try to bring their powers to bear on political matters, singling out individuals who stand high in public office on whom to cast their spells. Then there exists those groups who devote their energies solely to invoking the witch entities as deities, worshiping them not so much for practical and magical reasons, but rather as an expression of that simpler and maybe purer life of the spirit which takes its inspiration from pre-Christian European sources. It is these “witch cultists” who have largely held the public gaze over the past fifteen years, despite the fact that the word “witch” embraces a far wider circle of people than merely the followers of Gerald Brosseau Gardner.

Paul Husson
Mastering Witchcraft

summoning-1

The archetype of the witch is long overdue for celebration. Daughters, mothers, queens, virgins, wives, et al. derive meaning from their relation to another person. Witches, on the other hand, have power on their own terms. They have agency. They create. They praise. They commune with nature/ Spirit/God/dess/Choose-your-own-semantics, freely, and free of any mediator. But most importantly: they make things happen. The best definition of magic I’ve been able to come up with is “symbolic action with intent” — “action” being the operative word. Witches are midwives to metamorphosis. They are magical women, and they, quite literally, change the world.

Pamela J Grossman
The Year of the Witch

Revolutionary Witchcraft

August 7, 2016

witchc

When your mind wanders while grinding the herbs to powder between your wooden mortar and wooden pestle, instead of attempting to bend it back to the intents and tasks at hand, see where it goes.

Where does your mind travel to as your hands rhythmically move wood grain against wood grain creating witchcraft?

When you blend rosemary for remembrance, with lavender for dreams, and rose petals for lovers, do you remember lovers from the past?

The smile of the divorced husband? Your joy and sadness and tears in your walk down the heart lines on your palms?

What is love drawing without memories of past loves?

Bring these memories, these destinations touched by your wandering mind with you into the mortar, into the pestle, into the lavender and rosemary and rose.

Transform it through the sweet scent of flowers mashed against flowers, add more to what is there.

See the past, then look towards what you need from the future.

Don’t clear your mind of all that you are to reach some artificial semblance of clarity.

Let your mind move with your body. Bring yourself into the magic you work.

Cunning Folks from the past didn’t learn clear your mind meditation before they could pray and work. They moved in the realities of their magic, their bodies, their memories of the past and hopes and dreams for the future.

All into that little sachet of powders they make, and bag, and craft.

The Mandrake and Marjoram Project

the witch

We are living in the only period in history in which it is considered fashionable to be a witch. Given this complete public acceptance, an understandable tendency towards fadism develops. The once-stigmatizing label of “witch” has become a title of positive intrigue and has attained a status never before realized.

But this marks a considerable transition in the image of the witch. The biblical warnings against witches were such that it meant torture and death for anyone accused of the heresy of witchcraft. The Middle Ages was the worst period in history for a person to be accused of sorcery. However, the only similarity to today’s witch is the glamorous appearance that some of the condemned women of the witch trials possessed. It is quite obvious from the charges leveled against many innocent girls that their only crime was in being sexually appealing.

Most of the beauties who suffered at the hands of the inquisitors were tormented because they refused to succumb to the right people or were too quick to give in to the wrong ones. Many men who lusted after such women because so guilt-ridden that they would denounce them out of fear that they would fall from grace in the eyes of God. Of course, the most successful witches were usually sleeping with the inquisitors and were never even considered to be witches. Successful as they might be, however, they could never openly take pride in their witcheries, for to do so would mean certain death.

Centuries later, the image of the witch was held exclusively by the old crone, who might not have feared arrest or persecution but certainly wasn’t the type to be invited to cocktail parties. Only the ugly, grotesque, solitary and unpleasant carried the name of “witch.” This tradition was so strong that to be referred to as a “witch” was an insult only a few short years ago. Now, countless women are coyly boasting about being witches. In fact, one of the reasons I decided to write this book was the prevalence of what sociologist Marcello Truzzi refers to as the “Nouveau Witch.”* With so many witches roaming the earth, how can one tell the real ones from the false? It is as if everyone who ever removed a splinter from their finger were to go about proclaiming themselves surgeons! Surely there must be a means of defining and maintaining standards of witchcraft. Granted, there are no universities which are accredited in giving degrees in enchantments. Even if there were such places of learning, which soon there might be, the same problem of proving one’s worth would remain as with any liberal arts course. The art student who has graduated from college with honors can usually land a good commercial or teaching position upon leaving school but not necessarily paint any better than an artist who has never come near an art class but still possesses the highest artistic ability.

In any pursuit which deals with talent as an important factor towards success, academic or official licensing is of secondary importance. What is of prime importance is the result which is obtained through the use of the medium and how it is received by those to whom it is directed. Pedigrees are of questionable importance when the dog is sleeping while the burglar makes off with the silver. Nor do they help your legal defense when the mailman is bitten. Likewise, it is useless to have a grandmother who read tea leaves and a Scorpio rising in your chart, if you can’t land a boyfriend, keep a husband, get a job or avoid pregnancy.

The most common credential used by modern witches is inherited ability, followed closely by “proper” astrological signs. Names and birth numbers of a suitable nature are

* Marcello Truzzi, The Occult Revival as Popular Culture: Some Random Observations on the Old and the Nouveau Witch

Zeena LaVey
The Satanic Witch
Gigamoire et Galatea

Blessing your altar

December 14, 2015

Alterblessing