their voluptuous lips

March 28, 2019

In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, for, though the moonlight was behind them, they threw no shadow on the floor…Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great, wavy masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth, that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips…They whispered together, and then they all three laughed – such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of water-glasses when played on by a cunning hand.

Bram Stoker
Dracula

The fair girl shook her head coquettishly, and the other two urged her on. One said:

‘Go on! You are the first, and we shall follow; yours is the right to begin. The other added:

‘He is young and strong; there are kisses for us all.’ I lay quiet, looking out under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood.

I was afraid to raise my eyelids but looked out and saw perfectly under the lashes. The fair girl went on her knees and bent over me, fairly gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked teeth and lips, and feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer – nearer. I could feel the soft, shivering touch of her lips on the supersensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in a languorous ecstasy and waited – waited with beating heart.

Bram Stoker
Dracula

sex was scary

March 7, 2019

“Those Victorians always coupled sex with death,” writes Margaret Atwood in a recent short story published in The New Yorker. This particular comment comes at the conclusion of the story, after an elderly woman exacts fatal revenge on her childhood rapist, whom she encounters on a booze cruise for seniors. As Atwood notes, the Victorians were always coupling sex and death, and they had good reason: sex was scary. Without modern medicine, childbirth was risky and infant mortality was high. Further, diseases like syphilis and other venereal diseases posed an additional threat that could be fatal. The Victorian vampire is a spot-on literary manifestation of these fears. Penetration by the vampire could leave the victim dead.

Emily Schuck
Re-masculating the Vampire: Conceptions of Sexuality and the Undead from Rossetti’s Proserpine to Meyer’s Cullen

dreams

January 12, 2019

I dreamed all sorts of funny dreams – dreams with you in them all the time, and terrible ticking clocks, and vampires, and ladies with long arms putting out the light, and intimate black dogs just sitting on us. I love you. I love you more than anybody in the world. I love you for millions and millions of things, clocks and vampires and lovely hair and being dizzy and falling dreams. I want you to be with me; you can teach me to walk in the air and I’ll teach you to make nice noises on the piano without any music; and we shan’t have any money at all and we’ll live on other people’s, which they won’t like a bit. I don’t care. I don’t care for anybody. I only want to tell you all the time and over and over again that I love you.

Dylan Thomas

July 1936 letter to Caitlin Macnamara

 

Dracula

The Count, evidently noticing it, drew back. And with a grim sort of smile, which showed more than he had yet done his protuberant teeth, sat himself down again on his own side of the fireplace. We were both silent for a while, and as I looked towards the window I saw the first dim streak of the coming dawn. There seemed a strange stillness over everything. But as I listened, I heard as if from down below in the valley the howling of many wolves. The Count’s eyes gleamed, and he said.

“Listen to them, the children of the night. What music they make!” Seeing, I suppose, some expression in my face strange to him, he added, “Ah, sir, you dwellers in the city cannot enter into the feelings of the hunter.” Then he rose and said.

“But you must be tired. Your bedroom is all ready, and tomorrow you shall sleep as late as you will. I have to be away till the afternoon, so sleep well and dream well!” With a courteous bow, he opened for me himself the door to the octagonal room, and I entered my bedroom.

I am all in a sea of wonders. I doubt. I fear. I think strange things, which I dare not confess to my own soul. God keep me, if only for the sake of those dear to me!

Bram Stoker
Dracula

I am definitely now exploring what science can do to create a new biological body for a ghost or a spirit. I am certainly asking whether or not newly created humanoid entities have souls. I do have my own pantheon of ghosts, elves, werewolves, vampires, mummies, witches and the like. I have loved creating this. And I’ve had wonderful fun exhuming these horror clichés and doing my take on them. I think there are certain concepts that unite my work, and the main one, of course is that the monster, particularly the vampire, is a metaphor for us, a metaphor for the outsider and the predator in each of us. Good horror fiction as I see it is always about us, about the human condition. It is always allegorical and metaphorical. I love writing these books. They are about my reality, my moral and social obsessions.

Ann Rice
Interview 14th February

They see, it is said, men who have been dead for several months, come back to earth, talk, walk, infest villages, ill use both men and beasts, suck the blood of their near relations, make them ill, and finally cause their death; so that people can only save themselves from their dangerous visits and their hauntings by exhuming them, impaling them, cutting off their heads, tearing out the heart, or burning them. These revenants are called by the name of oupires or vampires, that is to say, leeches; and such particulars are related of them, so singular, so detailed, and invested with such probable circumstances and such judicial information, that one can hardly refuse to credit the belief which is held in those countries, that these revenants come out of their tombs and produce those effects which are proclaimed of them.

Antoine Augustin Calme

Traité sur les apparitions des esprits et sur les vampires ou les revenans de Hongrie, de Moravie, &c.

(Treatise on the Apparitions of Spirits and on Vampires or Revenants of Hungary, Moravia, et al.)

You think to baffle me, you with your pale faces all in a row, like sheep in a butcher’s. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!”

Bram Stoker
Dracula

nibble on the necks…

October 11, 2016

Vampires, real vampires, didn’t nibble on the necks of nubile young virgins. They tore people to pieces and sucked the blood out of the chunks.

David Wellington
99 Coffins

vamp

“You are not so old. Your first ball can hardly be forgotten yet.”

“I remember everything it – with an effort. I see it all, as divers see what is going on above1 them, through a medium, dense, rippling, but transparent. There occurred that night what has confused the picture, and made its colours faint. I was all but assassinated in my bed, wounded here,” she touched her breast, “and never was the same since.”

“Were you near dying?”

“Yes, very – a cruel love – strange love, that would have taken my life. Love will have its sacrifices. No sacrifice without blood. Let us go to sleep now; I feel so lazy. How can I get up just now and lock my door?”

She was lying with her tiny hands buried in her rich wavy hair, under her cheek, her little head upon the pillow, and her glittering eyes followed me wherever I moved, with a kind of shy smile that I could not decipher.

I bid her good night, and crept from the room with an uncomfortable sensation.
I often wondered whether our pretty guest ever said her prayers. I certainly had never seen her upon her knees. In the morning she never came down until long after our family prayers were over, and at night she never left the drawing-room to attend our brief evening prayers in the hall.

If it had not been that it had casually come out in one of our careless talks that she had been baptised, I should have doubted her being a Christian. Religion was a subject on which I had never heard her speak a word. If I had known the world better, this particular neglect or antipathy would not have so much surprised me.

The precautions of nervous people are infectious, and persons of a like temperament are pretty sure, after a time, to imitate them. I had adopted Carmilla’s habit of locking her bedroom door, having taken into my head all her whimsical alarms about midnight invaders and prowling assassins. I had also adopted her precaution of making a brief search through her from, to satisfy herself that no lurking assassin or robber was “ensconced.”

These wise measures taken, I got into my bed and fell asleep. A light was burning in my room. This was an old habit, of very early date, and which nothing could have tempted me to dispense with.

Thus fortified I might take my rest in peace. But dreams come through stone walls, light up dark rooms, or darken light ones, and their persons make their exits and their entrances as they please, and laugh at locksmiths.

I had a dream that night that was the beginning of a very strange agony.

I cannot call it a nightmare, for I was quite conscious of being asleep. But I was equally conscious of being in my room, and lying in bed, precisely as I actually was. I saw, or fancied I saw, the room and its furniture just as I had seen it last, except that it was very dark, and I saw something moving round the foot of the bed, which at first I could not accurately distinguish. But I soon saw that it was a sooty-black animal that resembled a monstrous cat. It appeared to me about four or five feet long for it measured fully the length of the hearthrug as it passed over it; and it continued to-ing and fro-ing with the lithe, sinister restlessness of a beast in a cage. I could not cry out, although as you may suppose, I was terrified. Its pace was growing faster, and the room rapidly darker and darker, and at length so dark that I could no longer see anything of it but its eyes. I felt it spring lightly on the bed. The two broad eyes approached my face, and suddenly I felt a stinging pain as if two large needles darted, an inch or two apart, deep into my breast. I waked with a scream. The room was lighted by the candle that burnt there all through the night, and I saw a female figure standing at the foot of the bed, a little at the right side. It was in a dark loose dress, and its hair was down and covered its shoulders. A block of stone could not have been more still. There was not the slightest stir of respiration. As I stared at it, the figure appeared to have changed its place, and was now nearer the door; then, close to it, the door opened, and it passed out.

I was now relieved, and able to breathe and move. My first thought was that Carmilla had been playing me a trick, and that I had forgotten to secure my door. I hastened to it, and found it locked as usual on the inside. I was afraid to open it—I was horrified. I sprang into my bed and covered my head up in the bedclothes, and lay there more dead than alive till morning.

J. Sheridan LeFanu

CARMILLA