writing poetry

September 30, 2019

I started writing poetry as a child. Just a few lines at first (with some funny rhymes, or at least I thought they were funny back then). I never really stopped for very long, but kept writing as a teenager, and on into what people think of as the adult years. I’m now old! and still writing. In my twenties the question of when one could call oneself a poet seemed important, and kind of anxiety-producing. But later I realized that the point is that anyone who is writing poetry is, by definition, a poet. If you keep writing, you get better at it…

I think of poetry more as what they used to call a “vocation” rather than as a job. That is, something you really want to do, and hope to have a talent for, and time. And something you can learn a lot about from others who also write.

Roo Borson
Interview with Poetry in Voice

turned into writers

September 11, 2018

Morning mist

Like many others who turned into writers, I disappeared into books when I was very young, disappeared into them like someone running into the woods. What surprised and still surprises me is that there was another side to the forest of stories and the solitude, that I came out that other side and met people there. Writers are solitaries by vocation and necessity. I sometimes think the test is not so much talent, which is not as rare as people think, but purpose or vocation, which manifests in part as the ability to endure a lot of solitude and keep working. Before writers are writers they are readers, living in books, through books, in the lives of others that are also the heads of others, in that act that is so intimate and yet so alone.

Rebecca Solnit
The Faraway Nearby

going to be a writer

January 23, 2018

Tony Foster

My father was the editor of an agricultural magazine called The Southern Planter. He didn’t think of himself as a writer. He was a scientist, an agronomist, but I thought of him as a writer because I’d seen him working at his desk. I just assumed that I was going to do that, that I was going to be a writer. There’s an enormous advantage in having (mistakenly or not) the impression that you have a vocation very early because from that time forward you begin to focus all of your energies towards this goal. The only other thing I ever considered from six on was to become an artist, something my mother had encouraged me to do.

Tom Wolfe
Interview with George Plimpton for Paris Review Spring 1991