I Feel Drunk All The Time

September 14, 2019

Jesus it’s beautiful!
Great mother of big apples it is a pretty
World!
You’re a bastard Mr. Death
And I wish you didn’t have no look-in here.
I don’t know how the rest of you feel,
But I feel drunk all the time
And I wish to hell we didn’t have to die.
O you’re a merry bastard Mr. Death
And I wish you didn’t have no hand in this game
Because it’s too damn beautiful for anybody to die.

Kenneth Patchen

The purpose of art

September 14, 2019

I believe that the justification of art is the internal combustion it ignites in the hearts of men and not its shallow, externalized, public manifestations. The purpose of art is not the release of a momentary ejection of adrenaline but is, rather, the gradual, lifelong construction of a state of wonder and serenity. Through the ministrations of radio and the phonograph, we are rapidly and quite properly learning to appreciate the elements of aesthetic narcissism — and I use that word in its best sense — and are awakening to the challenge that each man contemplatively create his own divinity.

Glenn Gould
The Glenn Gould Reader

women in porn

September 14, 2019

In film theory everything has meaning. Everything is symbolic. Similarly, in pornography, as Dworkin points out “everything means something.” Gender means something, bodies mean something, body parts mean something, the acts done to women mean something. Getting a facial in your bedroom doesn’t necessarily have the same meaning as a woman getting a facial in a porn movie does and, in fact, the relevance of whether or not the individual actress in the porn appears to be ‘enjoying’ the cum shot to her face is less important than the larger meaning of the image on screen. I am not at all surprised that “the majority of porn shows women basking in and positively loving receiving a facial” or that “a lot more straight porn features women happily accepting facials than reacting with disgust and evident humiliation” because women in porn are presenting a fantasy and that fantasy is that women enjoy being objectified, cum on, gang-raped, called whores and bitches, whatever. Porn is about male fantasy. The fantasy is that women like everything you do to them, as man.

Megan Murphy
Facials, feminism, and performance: On f**king men in a patriarchy

Shitty first drafts

September 14, 2019

Shitty first drafts. All good writers write them. This is how they end up with good second drafts and terrific third drafts. People tend to look at successful writers who are getting their books published and maybe even doing well financially and think that they sit down at their desks every morning feeling like a million dollars, feeling great about who they are and how much talent they have and what a great story they have to tell; that they take in a few deep breaths, push back their sleeves, roll their necks a few times to get all the cricks out, and dive in, typing fully formed passages as fast as a court reporter. But this is just the fantasy of the uninitiated. I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. We do not think that she has a rich inner life or that God likes her or can even stand her. (Although when I mentioned this to my priest friend Tom, he said you can safely assume you’ve created God in your own image when it turns out that God hates all the same people you do.)

Very few writers really know what they are doing until they’ve done it. Nor do they go about their business feeling dewy and thrilled. They do not type a few stiff warm-up sentences and then find themselves bounding along like huskies across the snow. One writer I know tells me that he sits down every morning and says to himself nicely, “It’s not like you don’t have a choice, because you do — you can either type, or kill yourself.” We all often feel like we are pulling teeth, even those writers whose prose ends up being the most natural and fluid. The right words and sentences just do not come pouring out like ticker tape most of the time. Now, Muriel Spark is said to have felt that she was taking dictation from God every morning — sitting there, one supposes, plugged into a Dictaphone, typing away, humming. But this is a very hostile and aggressive position. One might hope for bad things to rain down on a person like this.

For me and most of the other writers I know, writing is not rapturous. In fact, the only way I can get anything written at all is to write really, really shitty first drafts.

The first draft is the child’s draft, where you let it all pour out and then let it romp all over the place, knowing that no one is going to see it and that you can shape it later. You just let this childlike part of you channel whatever voices and visions come through and onto the page. If one of the characters wants to say, “Well, so what, Mr. Poopy Pants?,” you let her. No one is going to see it. If the kid wants to get into really sentimental, weepy, emotional territory, you let him. Just get it all down on paper because there may be something great in those six crazy pages that you would never have gotten to by more rational, grown-up means. There may be something in the very last line of the very last paragraph on page six that you just love, that is so beautiful or wild that you now know what you’re supposed to be writing about, more or less, or in what direction you might go — but there was no way to get to this without first getting through the first five and a half pages.

Anne Lamott
Bird by Bird